Scheduled Conference | Title | |
BFX 2015 Conference | E’Gao Homosexuality and the Queer Pleasure of Digital Impersonation—A Theoretical Discussion on the Case of “Won’t Even Give me 100 Kuai” | Abstract |
DONGLAI SHI | ||
BFX 2015 Conference | Forgotten Analogue Computer Graphics & Synthetic Video in the United Kingdom | Abstract |
Christopher Jan King | ||
BFX 2015 Conference | Four Kinds of Dynamic Viewing: The Layout of Media Criticism from Nam June Paik | Abstract |
guo chunning | ||
BFX 2015 Conference | Gamification as a way to interact with Memorials. | Abstract |
Feng Tian | ||
BFX 2015 Conference | Is VR part of VFXs post-digital future? | Abstract |
Saint Walker | ||
BFX 2015 Conference | Light, Space and Immersion | Abstract |
Michela French | ||
BFX 2014 Conference | Living the grid: The navigation of digital spaces | Abstract |
Nick Jones | ||
BFX 2015 Conference | Mannerist, Functional and Post-Dolby Sound Design in Animated Cartoons | Abstract |
Paul Taberham | ||
BFX 2015 Conference | Memorials as (dark) tourism attractions | Abstract |
Avital Biran | ||
BFX 2014 Conference | Moving Image Values | Abstract |
Sarah Sparke | ||
BFX 2014 Conference | Outside In: Challenging traditional narrative constructs in digital cinema. Exploring the frame, continuity editing and audience perspective. | Abstract |
Mark Bond | ||
BFX 2014 Conference | Overcoming Differences, Recognising Similarities, Building Solidarities: the festivals and networks of contemporary committed film culture | Abstract |
Steve Presence | ||
BFX 2014 Conference | Pixar’s “The Road to Point Reyes” and the long history of landscape in new visual technologies | Abstract |
Malcolm Cook | ||
BFX 2014 Conference | Porous Pedagogy and Multimodal Tools: Primary Media Production Practices in East London Primaries | Abstract |
Michelle Cannon | ||
BFX 2015 Conference | Practices in Photography: Pre and Post-Digital | Abstract |
Paul Wenham Clarke | ||
BFX 2015 Conference | Rapture, Conflict, Radical Cinematic Choreography Reframing of the Analogue to serve the Digital | Abstract |
Maureen Kendal | ||
BFX 2015 Conference | Rethinking post-war reconciliation, memory and heritage via ‘gaming’ technology | Abstract |
Melanie Klinkner | ||
BFX 2014 Conference | Revisiting Orthodox, Experimental and Developmental animation | Abstract |
Paul Taberham | ||
BFX 2014 Conference | Situating Games: Exploring Situatedness in Digital Game Experiences | Abstract |
Phillip Wilkinson | ||
BFX 2015 Conference | Storyboarding, storytelling and animation labour in the post-digital era | Abstract |
Paul Ward | ||
BFX 2015 Conference | Targeting Transmedia: Live Action, Animation & ARG Collide in a Webdoc About Columbian Street Violence | Abstract |
Brad Gyori, Mat Charles | ||
BFX 2015 Conference | Teaching drawing in the post-digital age | Abstract |
Alys Scott-Hawkins | ||
BFX 2015 Conference | Teaching drawing in the post-digital age | Abstract |
Katie Barons | ||
BFX 2015 Conference | Teaching drawing in the post-digital age | Abstract |
Paul Hilton | ||
BFX 2015 Conference | Teaching drawing in the post-digital age | Abstract |
Peter Symons | ||
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