General Papers
Artistic practice at the frontier of CGI | |
Alan Warburton |
Animation Theory in a Post-Digital Context | |
Caroline Ruddell |
Targeting Transmedia: Live Action, Animation & ARG Collide in a Webdoc About Columbian Street Violence | |
Brad Gyori, Mat Charles |
Aardman Animations – from analogue to post-digital | |
Richard Haynes |
The Chorus of “The Second Wave”: An examination of Feminism's "Manifesto" of Digital Art | |
guo chunning |
Is VR part of VFXs post-digital future? | |
Saint Walker |
Exploration of Memories Through Animated Documentary | |
guo chunning |
Forgotten Analogue Computer Graphics & Synthetic Video in the United Kingdom | |
Christopher Jan King |
Digital Distance: Interrogating Frontiers in Media Space | |
alex jukes |
Rapture, Conflict, Radical Cinematic Choreography Reframing of the Analogue to serve the Digital | |
Maureen Kendal |
Aardman’s Ghost: A Hauntology of Stop-Motion Effects | |
Thomas Walsh |
Contemporary Silent Movies: Aardman’s Shaun the Sheep | |
Richard Haynes |
Storyboarding, storytelling and animation labour in the post-digital era | |
Paul Ward |
ALIAS YEDERBECK – Expanded Animation Cinema | |
Frank Gessner |
E’Gao Homosexuality and the Queer Pleasure of Digital Impersonation—A Theoretical Discussion on the Case of “Won’t Even Give me 100 Kuai” | |
DONGLAI SHI |
Digital Alternatives in the Art Market | |
Sarah Sparke, Chuck Elliot |
Rethinking post-war reconciliation, memory and heritage via ‘gaming’ technology | |
Melanie Klinkner |
Four Kinds of Dynamic Viewing: The Layout of Media Criticism from Nam June Paik | |
guo chunning |
Using lens-less imaging to consider the impact of analogue photographic processes on current digital moving image. | |
Lucy Williams, Sarah Sparke |
An autoethnograpic account the process of light across ‘old’ and ‘new’ moving image media for the installation “Piccadilly Circus and Williamsburg Bridge". | |
Alex Neville |
Memorials as (dark) tourism attractions | |
Avital Biran |
Contesting Memorials – an ethnographic approach | |
Stephanie Schwandner-Sievers |
Gamification as a way to interact with Memorials. | |
Feng Tian |
Mannerist, Functional and Post-Dolby Sound Design in Animated Cartoons | |
Paul Taberham |
Artist Submission
100110 post-digital years | |
Stephen Bell |
Contesting the “Dark Web”. CipherSongs: Trustless an installation for encrypted data streams. | |
Rob Canning |
Teaching drawing in the post-digital age | |
Alys Scott-Hawkins |
Teaching drawing in the post-digital age | |
Katie Barons |
Teaching drawing in the post-digital age | |
Paul Hilton |
Teaching drawing in the post-digital age | |
Peter Symons |
Practices in Photography: Pre and Post-Digital | |
Paul Wenham Clarke |
Light, Space and Immersion | |
Michela French |
Being There: Social Media integrated Virtual Reality and the Case for a New Master Media Definition. | |
Derek Murray |
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