Presentations and Authors

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General Papers

The Design Process of Narrative for Location-based Mixed Reality Game
Yunsung Kim, BongGwan Jun
Where Art, Film and Videogame meet – visual art forms and their semiotic and structural similarities
Matteo Riatti
Pixar’s “The Road to Point Reyes” and the long history of landscape in new visual technologies
Malcolm Cook
Revisiting Orthodox, Experimental and Developmental animation
Paul Taberham
A (Very) Brief History of Video Art: Before and After Convergence.
Chris Meigh-Andrews
Vital Remediation: The Physical Liveliness of Digital Puppets
Ian John Grant
Overcoming Differences, Recognising Similarities, Building Solidarities: the festivals and networks of contemporary committed film culture
Steve Presence
Animating the dream space: Disney/ Pixar’s Cars franchise, childhood, and the development of the person
Iain MacRury
An Uncanny Combination: Live Performance and Digital Animation in the Motion Captured Body
Frances Kamm
Living the grid: The navigation of digital spaces
Nick Jones
'Theoretically locatable but not describable'- Barthes third meaning and digital cinema
Ian Peter Stone
A Practical Investigation into Space as Material Within 3-D CGI
Alex Jukes
Porous Pedagogy and Multimodal Tools: Primary Media Production Practices in East London Primaries
Michelle Cannon
Evolutionary Art, Artificial Critics, Aesthetics, and Hilbert’s Entscheidungsproblem
Anargyros Sarafopoulos
Situating Games: Exploring Situatedness in Digital Game Experiences
Phillip Wilkinson
Centre for Moving Image Research
Terry Flaxton
Art of disease modelling
Vicky Isley, Paul Smith
Moving Image Values
Sarah Sparke
The autonomous pixel
Liam Birtles
Cinematics of Rapture
Maureen Kendal
Outside In: Challenging traditional narrative constructs in digital cinema. Exploring the frame, continuity editing and audience perspective.
Mark Bond
3D Visualisation and Aesthetic considered processes: The invisible cultural heritage that lies beneath the sea.
Chris Rowland
Depicting the Dead
Caroline Wilkinson

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