General Papers
The Design Process of Narrative for Location-based Mixed Reality Game |
|
Yunsung Kim, BongGwan Jun |
|
Where Art, Film and Videogame meet – visual art forms and their semiotic and structural similarities |
|
Matteo Riatti |
|
Pixar’s “The Road to Point Reyes” and the long history of landscape in new visual technologies |
|
Malcolm Cook |
|
Revisiting Orthodox, Experimental and Developmental animation |
|
Paul Taberham |
|
A (Very) Brief History of Video Art: Before and After Convergence. |
|
Chris Meigh-Andrews |
|
Vital Remediation: The Physical Liveliness of Digital Puppets |
|
Ian John Grant |
|
Overcoming Differences, Recognising Similarities, Building Solidarities: the festivals and networks of contemporary committed film culture |
|
Steve Presence |
|
Animating the dream space: Disney/ Pixar’s Cars franchise, childhood, and the development of the person |
|
Iain MacRury |
|
An Uncanny Combination: Live Performance and Digital Animation in the Motion Captured Body |
|
Frances Kamm |
|
Living the grid: The navigation of digital spaces |
|
Nick Jones |
|
'Theoretically locatable but not describable'- Barthes third meaning and digital cinema |
|
Ian Peter Stone |
|
A Practical Investigation into Space as Material Within 3-D CGI |
|
Alex Jukes |
|
Porous Pedagogy and Multimodal Tools: Primary Media Production Practices in East London Primaries |
|
Michelle Cannon |
|
Evolutionary Art, Artificial Critics, Aesthetics, and Hilbert’s Entscheidungsproblem |
|
Anargyros Sarafopoulos |
|
Situating Games: Exploring Situatedness in Digital Game Experiences |
|
Phillip Wilkinson |
|
Centre for Moving Image Research |
|
Terry Flaxton |
|
Art of disease modelling |
|
Vicky Isley, Paul Smith |
|
Moving Image Values |
|
Sarah Sparke |
|
The autonomous pixel |
|
Liam Birtles |
|
Cinematics of Rapture |
|
Maureen Kendal |
|
Outside In: Challenging traditional narrative constructs in digital cinema. Exploring the frame, continuity editing and audience perspective. |
|
Mark Bond |
|
3D Visualisation and Aesthetic considered processes: The invisible cultural heritage that lies beneath the sea. |
|
Chris Rowland |
|
Depicting the Dead |
|
Caroline Wilkinson |
|
This work is licensed under a
Creative Commons Attribution 3.0 License.