Analogue to Post-Digital (archived)
| Scheduled Conference | Title | |
| BFX 2015 Conference | 100110 post-digital years | Abstract |
| Stephen Bell | ||
| BFX 2015 Conference | Aardman Animations – from analogue to post-digital | Abstract |
| Richard Haynes | ||
| BFX 2015 Conference | Aardman’s Ghost: A Hauntology of Stop-Motion Effects | Abstract |
| Thomas Walsh | ||
| BFX 2015 Conference | ALIAS YEDERBECK – Expanded Animation Cinema | Abstract |
| Frank Gessner | ||
| BFX 2015 Conference | An autoethnograpic account the process of light across ‘old’ and ‘new’ moving image media for the installation “Piccadilly Circus and Williamsburg Bridge". | Abstract |
| Alex Neville | ||
| BFX 2015 Conference | Animation Theory in a Post-Digital Context | Abstract |
| Caroline Ruddell | ||
| BFX 2015 Conference | Artistic practice at the frontier of CGI | Abstract |
| Alan Warburton | ||
| BFX 2015 Conference | Being There: Social Media integrated Virtual Reality and the Case for a New Master Media Definition. | Abstract |
| Derek Murray | ||
| BFX 2015 Conference | Contemporary Silent Movies: Aardman’s Shaun the Sheep | Abstract |
| Richard Haynes | ||
| BFX 2015 Conference | Contesting Memorials – an ethnographic approach | Abstract |
| Stephanie Schwandner-Sievers | ||
| BFX 2015 Conference | Contesting the “Dark Web”. CipherSongs: Trustless an installation for encrypted data streams. | Abstract |
| Rob Canning | ||
| BFX 2015 Conference | Digital Alternatives in the Art Market | Abstract |
| Sarah Sparke, Chuck Elliot | ||
| BFX 2015 Conference | Digital Distance: Interrogating Frontiers in Media Space | Abstract |
| alex jukes | ||
| BFX 2015 Conference | Exploration of Memories Through Animated Documentary | Abstract |
| guo chunning | ||
| BFX 2015 Conference | E’Gao Homosexuality and the Queer Pleasure of Digital Impersonation—A Theoretical Discussion on the Case of “Won’t Even Give me 100 Kuai” | Abstract |
| DONGLAI SHI | ||
| BFX 2015 Conference | Forgotten Analogue Computer Graphics & Synthetic Video in the United Kingdom | Abstract |
| Christopher Jan King | ||
| BFX 2015 Conference | Four Kinds of Dynamic Viewing: The Layout of Media Criticism from Nam June Paik | Abstract |
| guo chunning | ||
| BFX 2015 Conference | Gamification as a way to interact with Memorials. | Abstract |
| Feng Tian | ||
| BFX 2015 Conference | Is VR part of VFXs post-digital future? | Abstract |
| Saint Walker | ||
| BFX 2015 Conference | Light, Space and Immersion | Abstract |
| Michela French | ||
| BFX 2015 Conference | Mannerist, Functional and Post-Dolby Sound Design in Animated Cartoons | Abstract |
| Paul Taberham | ||
| BFX 2015 Conference | Memorials as (dark) tourism attractions | Abstract |
| Avital Biran | ||
| BFX 2015 Conference | Practices in Photography: Pre and Post-Digital | Abstract |
| Paul Wenham Clarke | ||
| BFX 2015 Conference | Rapture, Conflict, Radical Cinematic Choreography Reframing of the Analogue to serve the Digital | Abstract |
| Maureen Kendal | ||
| BFX 2015 Conference | Rethinking post-war reconciliation, memory and heritage via ‘gaming’ technology | Abstract |
| Melanie Klinkner | ||
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